This spring after a gap of over 30 years when I started to draw again, it was followed by, “Why did you stop in the first place?” There isn’t a straight forward answer to this, however I applaud my learning and un-learning that’s revitalised me to exhibit drawings for the first time in London.
From my teen years the prefix ‘mono’ left me craving for more. For me mono denies Abundance. Not that mono is good or bad per se, however, wether it be monogamy, monotheism, monopoly, monosyllabic, monologue or monolith, I have always had a propensity towards POLY. Whilst I adore the drama of the monochrome, I find Polychrome fantastic. While I respect a mono-theist’s singularity of belief, I believe in a universe of many Gods. All interconnected energies and faiths pass through my heart. I LOVE loving many. Pantheism feels aligned with my being. Continue reading Drawn from Life
1001 UnMasked ~ hyper-real portraits of gender brings together individual perspectives on gender and sexualities aurally and visually. What does it mean to be a man or a woman in the 21st century? What are the spaces in between these binaries? What is masculinity or femininity other than a culturally specific performance?
Till early last year I was calling this body of work Mas(k)culinities for reasons that seemed right at the time. Masculinity is stigmatized and problematized and I sought different sexualities to explore the breadth of being male. During this period voices and images of women were included to elaborate masculinity from their perspective. Soon I realized that fissures and scars caused by these simplistic binaries run very deep within all of us. Obliged to play out the ‘normative’ roles assigned from the time of our births onwards, is a patriarchal hegemony that has to be challenged. Individual point of views that encompass realities beyond dictates of the mainstream is the only way to disrupt this control. We have to create safe spaces for celebrating the ‘human’ in all its manifestations rather than be threatened by difference. Continue reading 1001 UnMasked ~ hyper-real portraits of gender
Ann my neighbour gifted me a potted bulb of Amaryllis belladonna. It was a farewell 2015 intimate food based Casa Ali gathering in my front room. Ann, Vojko my ex-flatmate, Franz my couch surfing guest et moi. Amidst hugs and laughter and anecdotes and reminisces, Ann brought out this decorative pot boxed with no nonsense instructions. A beautiful thoughtful gift marking the end of an year and welcoming the new. Continue reading Amaryllis… a token of neighbourly love!
Reggio Emilia’s tiara dazzles with Approach, Basilica di San Prospero, Piazza Fontanesi, ICC and Colletivo FX among other usual suspects. However, Reggio came on my radar whilst creating Food4Thought, part of artist led guided walks for motiroti’s last project Multiwalks. Being the London host, I gelled with Simone, the artist behind Colletivo FX. In 2013 upon his invitation and to experience their street art I visited him. A short and magical day trip during which I met the posse of artists working independently as well as collectively from under that banner. The most precious yet hidden gem of the city was this vast derelict site called Reggiane as it lies unnoticed behind the train station of Reggio. Continue reading Uncut gem of Reggio Emilia
A conversation between Anotnio Pizzo and me (the self-confessed Scheherazade) in 2006, formerly published by Antonio as Identity, Transformation, and Digital Languages.
Continue reading Between Antonio and me; the digital Scheherazade