This spring after a gap of over 30 years when I started to draw again, it was followed by, “Why did you stop in the first place?” There isn’t a straight forward answer to this, however I applaud my learning and un-learning that’s revitalised me to exhibit drawings for the first time in London.
From my teen years the prefix ‘mono’ left me craving for more. For me mono denies Abundance. Not that mono is good or bad per se, however, wether it be monogamy, monotheism, monopoly, monosyllabic, monologue or monolith, I have always had a propensity towards POLY. Whilst I adore the drama of the monochrome, I find Polychrome fantastic. While I respect a mono-theist’s singularity of belief, I believe in a universe of many Gods. All interconnected energies and faiths pass through my heart. I LOVE loving many. Pantheism feels aligned with my being. Continue reading Drawn from Life
1001 UnMasked ~ hyper-real portraits of gender brings together individual perspectives on gender and sexualities aurally and visually. What does it mean to be a man or a woman in the 21st century? What are the spaces in between these binaries? What is masculinity or femininity other than a culturally specific performance?
Till early last year I was calling this body of work Mas(k)culinities for reasons that seemed right at the time. Masculinity is stigmatized and problematized and I sought different sexualities to explore the breadth of being male. During this period voices and images of women were included to elaborate masculinity from their perspective. Soon I realized that fissures and scars caused by these simplistic binaries run very deep within all of us. Obliged to play out the ‘normative’ roles assigned from the time of our births onwards, is a patriarchal hegemony that has to be challenged. Individual point of views that encompass realities beyond dictates of the mainstream is the only way to disrupt this control. We have to create safe spaces for celebrating the ‘human’ in all its manifestations rather than be threatened by difference. Continue reading 1001 UnMasked ~ hyper-real portraits of gender
A conversation between Anotnio Pizzo and me (the self-confessed Scheherazade) in 2006, formerly published by Antonio as Identity, Transformation, and Digital Languages.
Continue reading Between Antonio and me; the digital Scheherazade
What is real and what isn’t?
“Are you a man?” said Lady Macbeth to her husband, Macbeth. Using this as a title I hash tagged my Instagram #masculinity #mask_culinity; a banana skin on pink lace. I was playing tongue and cheek, using an age old cliche of banana/phallus as a provocation of values synonymous with English Renaissance! These terms are still used freely in playgrounds and classrooms and bedrooms. Gender specific roles as demanded by society become iconic masculinity or femininity. And this song and dance, performance on demand changes from culture to religion to class. Continue reading HyperReal… Mas(k)culinities
Art is not what you see but what you make people see.
The creative process and the healing process arise from a single source. When you are an artist, you are a healer; a wordless trust of the same mystery is the foundation of your work and its integrity. Art has always worked for me in mysterious ways. Its a feeling, its an expression, its a desire to connect. Often these connections are new and bring about a change. And change by definition is an act of transformation. Once changed, things can not be reverted to what they were. I AM… memoirs of addiction recovery is exactly such a project. A journey and an experience where art is an agent of change. Continue reading ART… an agent of change