1001 UnMasked ~ hyper-real portraits of gender brings together individual perspectives on gender and sexualities aurally and visually. What does it mean to be a man or a woman in the 21st century? What are the spaces in between these binaries? What is masculinity or femininity other than a culturally specific performance?
Till early last year I was calling this body of work Mas(k)culinities for reasons that seemed right at the time. Masculinity is stigmatized and problematized and I sought different sexualities to explore the breadth of being male. During this period voices and images of women were included to elaborate masculinity from their perspective. Soon I realized that fissures and scars caused by these simplistic binaries run very deep within all of us. Obliged to play out the ‘normative’ roles assigned from the time of our births onwards, is a patriarchal hegemony that has to be challenged. Individual point of views that encompass realities beyond dictates of the mainstream is the only way to disrupt this control. We have to create safe spaces for celebrating the ‘human’ in all its manifestations rather than be threatened by difference. Continue reading 1001 UnMasked ~ hyper-real portraits of gender
Reggio Emilia’s tiara dazzles with Approach, Basilica di San Prospero, Piazza Fontanesi, ICC and Colletivo FX among other usual suspects. However, Reggio came on my radar whilst creating Food4Thought, part of artist led guided walks for motiroti’s last project Multiwalks. Being the London host, I gelled with Simone, the artist behind Colletivo FX. In 2013 upon his invitation and to experience their street art I visited him. A short and magical day trip during which I met the posse of artists working independently as well as collectively from under that banner. The most precious yet hidden gem of the city was this vast derelict site called Reggiane as it lies unnoticed behind the train station of Reggio. Continue reading Uncut gem of Reggio Emilia
A conversation between Anotnio Pizzo and me (the self-confessed Scheherazade) in 2006, formerly published by Antonio as Identity, Transformation, and Digital Languages.
Continue reading Between Antonio and me; the digital Scheherazade
Thomas Christiansen and I spent some time together while I showed him photographs from Mas(k)culinities. Upon my request to write down some of his observations… he graced me this essay!
“The most powerful element to the craft of maskulinity, for me, is its ability to render very different experiences depending on the proximity and focus through which people examine the images. Continue reading Impressions on Masculinity
What is real and what isn’t?
“Are you a man?” said Lady Macbeth to her husband, Macbeth. Using this as a title I hash tagged my Instagram #masculinity #mask_culinity; a banana skin on pink lace. I was playing tongue and cheek, using an age old cliche of banana/phallus as a provocation of values synonymous with English Renaissance! These terms are still used freely in playgrounds and classrooms and bedrooms. Gender specific roles as demanded by society become iconic masculinity or femininity. And this song and dance, performance on demand changes from culture to religion to class. Continue reading HyperReal… Mas(k)culinities